Holy Holograms, Batman!

Credit: USC Institute for Creative Technologies

It won’t be long before people besides Joel Haley Osment start saying, “I see dead people.”

You know how one of the main laments of Holocaust studies for future (and current) generations is that the survivor population is dying out? How books and movies aren’t the same as face-to-face encounters with in-the-flesh survivors? Well, the University of Southern California is trying to do something about it.

According to a recent CNET article, “As the aging Holocaust survivor population dwindles, USC scientists scurry to create life-size 3D holograms that can answer viewer questions through Siri-like voice-recognition technology.”

The hologram initiative is a collaboration between the USC Shoah Foundation and design firm Conscience Display. According to CNET, they are developing “installations that let students and others converse with the hyper-photorealistic life-size digital versions of the survivors. Viewers ask questions, and the holograms respond, thanks to Siri-style natural-language technology, also developed at USC, that allows observers to ask questions that trigger relevant, spoken answers.”

Quick aside: I knew USC was home to Spielberg’s Shoah Foundation, but I didn’t know it was responsible for Apple’s Siri technology. Nice. Great way to use what you’ve got and keep things in-house, USC!

The initiative is called New Dimensions in Testimony and USC says it will “display testimony in a way that will continue the dialogue between Holocaust survivors and learners far into the future.”

If you can get past the creepy aspect, (can’t help but see this played out in a Scooby-Doo episode), it sounds like a potentially viable solution to stem the despair of those who feel the memory of the Holocaust will die with its survivors. With the amount of Holocaust literature, art and film already in existence, plus those in the works (like mine) or that will be made in the future, I highly doubt that, but still, it will definitely have a less dire effect when there are no survivors on the ground.

This is the part I like best (aside from the cool hologram element, of course): “New Dimensions in Testimony will yield insights into the experiences of survivors through a new set of interview questions, some that survivors are asked on a regular basis, plus many of which have not been asked before.” (italics mine)

Hopefully they can get this project done quickly while the remaining survivors are still lucid enough to answer these new questions with some degree of clarity. I suppose we’ll have to wait and see. But I must say, I trust these guys at USC. They seem to know what they’re doing.

I’m more interested in the “holy-hologram-wow” factor, but for those of you interested in the techie stuff, the aforementioned CNET article goes into greater detail and includes relevant links.

What do you think about Holocaust holograms? Creepy? Brilliant? Not sure? Do you foresee potential problems or glitches? Do you think kids will be freaked out by this or intrigued? Please, do tell.

Holocaust Interpretations by Catholic Schoolgirls

Lost Childhood – Photo: Rachel Kornelly

I came upon this student Holocaust exhibition in a rather somber fashion, after reading an obituary for Kathy Carlisle, the high school teacher who had assigned it. The project, The Holocaust: Illuminated Memory, showcases the collective work of photography students at St. Francis High School, Spring Semester 2012. In Ms. Carlisle’s own words,

“This conceptual photography assignment required students to utilize historical research about the Holocaust to create symbolic photographic imagery.  An exploration of artists employing symbolism, metaphor, and allegory in historical and contemporary art established the foundation of the project. Students began their work by expanding their knowledge of the Holocaust from 1933 to 1945 through personal and collaborative research and class assignments.

The students’ creative challenges began as they refined their research to focus on a single personal narrative from a survivor or someone who had perished in the Holocaust. They were asked to personally assess and symbolize the essence of that single person’s story through photographic imagery. Students were limited to a palette of sepia or black and white photography, using only tonal value to describe the depth and breadth of their concept. The final step of the project required students to write an artist’s statement about their work, elucidating their creative process and its connection to their research.”

What I like about this assignment is that it required the students to get in real close and seek out one person or one moment and create art around that. To see the trees instead of the forest. St. Francis is an all-girls Catholic school, so I’m assuming none of the young women have a personal connection to the Holocaust, although it’s quite possible I am mistaken. Some of the students were able to go beyond the cliché, not an easy task in our over-saturated Holocaust memorializing world. I did not write that last sentence as a criticism of the vast amount of Holocaust art and literature that exists, only that it’s quite a feat to capture something that goes beyond “Never Forget.”

Some of the students’ work worth mentioning include:

Trapped in the Snow – Photo: Hibba Munir

Trapped in the Snow - by Hibba Munir
I linked my images to the personal history of Hanna Mueller. Hannah Mueller was reading about the harrowing treatment of Jews during the Spanish Inquisition and she told her grandmother, “We’re fortunate that we live in the 20th century in Czechoslovakia and such a thing can’t happen to us.” It was only six years later on March 15, 1939, when the Germans occupied Prague. On a cold and snowy day, when Mueller was only a mile from her home, the Germans entered the city on tanks and trucks, with their guns pointed toward the rooftops. The picture I chose symbolizes how calm the cold and snowy day seemed, until the Germans entered the city. In my second image, the fence symbolizes how the Jews were trapped and how they were just waiting to reach the other side, which contained trees, a symbol of freedom. Mueller’s story really moved me because it made me think of how innocent the Jews were, and how bad luck just came upon when they least expected it. I learned how much suffering the Jews went through both emotionally and physically. I learned how unjust the Germans actions were. By reading Mueller’s story and other stories, I was able to grasp a better perspective of what occurred at the concentration camps.

The Valued Potato – Photo: Nhi Le

The Valued Potato – by Nhi Le

In this image, I wanted to emphasize the importance of a potato to a person living during the Holocaust. I was surprised that someone compared a potato to a diamond. I didn’t think anyone would compare a small worthless potato to a valuable diamond. When I read about this, I thought of how much I eat every day and how I have taken so much for granted. In the photograph, I compared a bowl of food that I eat everyday to one potato that can last a person a whole day or even a week.

 

The Wall in the Way – Photo: Maxi Wilson

The Wall in the Way – by Maxi Wilson

I chose to portray the life of David Rubinowicz. He loved nature and enjoyed looking out a window that faced a road and a large field. He said that he remembered when his favorite field was blocked by marching soldiers. I was inspired to portray having things that you loved forcefully taken away. I learned that the Holocaust involved a lot of sneaking, hiding, and running away than I had originally thought. I know that many families were separated during the Holocaust, but I feel like losing something inanimate, like a field, is just as heartbreaking. If you lose the joyful things in life, along with the love from your family, what do you really have? I felt that having a gate in front of the field would portray the dividing aspect of the Holocaust. In other words, it shows that victims of the Holocaust were unable to have what they desired.

 

What a Dumb-Ash Thing to Do…

The mausoleum at the Majdanek concentration camp outside Lublin, Poland. Photo: CC BY-ND Kasia/Flickr

You know the definition of chutzpah wherein a man kills his parents and then begs for leniency on account of being an orphan? Well, here’s something that closely adheres to that definition: a Swedish artist used the remains of people murdered at Majdanek concentration camp in Poland for his painting, currently on display at a gallery in Lund, Sweden.

The artist, Carl Michael von Hausswolff, defends his use of the ashes, per his artist statement at the gallery: ‘The ash has followed me, always been there …  as if the ash contains energies or memories or souls of people … people tortured, tormented and murdered by other people in one of the 19th century’s most ruthless wars.’”

Uh, yeah, and that’s why you should not have used their ashes in your art. Those ashes are sacred. And they don’t belong to you. According to The Blaze: “[von Hausswolff] apparently collected the ashes 20 years ago, however there is not much information regarding how he acquired them. The Telegraph claims that he ‘took the ashes during a 1989 visit to Majdanek.’ A translation from a description on the gallery’s web site seems to indicate that the artist nabbed the ashes directly from cremation ovens during his visit.”

What an ash-hole.

Miss Holocaust Survivor? Oy.

Waiting to hear their names called… photo: courtesy of The Sun

First they were fighting for their lives. Now they’re fighting for the crown?

Yesterday in Haifa, Israel, 14 female Holocaust survivors aged 74 to 97 competed in a beauty pageant for the title of Miss Holocaust Survivor (at the very least they could have extended the courtesy of Ms. Holocaust Survivor.) Shimon Sabag, director of Yad Ezer L’Haver (Helping Hand), the organization that produced this event, said that the pageant was a celebration of life and that “the fact that so many women entered prove that it’s a good idea.”

I beg to differ.

That so many women — the 14 contestants came from a pool of 300 — does not mean it was a good idea. I’m no scientist but if you’re going to use the words “fact” and (a variation of the word) “proof,” it should at least pass the smell test. And this pageant reeks of wrong on so many levels.

Critics have alternately described the pageant as macabre, inappropriate, misguided, offensive, and gimmicky. I believe it is all those things. And it’s surely in bad taste.

Ms. Sabag says  the winners were chosen based on their personal stories of survival and rebuilding their lives after the war.  She’s quick to note that “physical beauty was only a tiny part of the competition.” Grrr.

I wonder if she and the other organizers of this pageant were responding to the fact that survivors  —and their children and grandchildren — are desperate to keep the stories of the Holocaust alive. There are so many books and memoirs out there and many people complain that there’s nothing left to be said, or at least nothing new. This was a nice deflection perhaps, to offer up something new to talk about something that’s becoming increasingly old. But even so, it still feels crass and misguided.

I like what Gal Mor of Israeli site, Holes in the Net, wrote:

“Why should a decayed, competitive institution that emphasizes women’s appearance be used as inspiration, instead of allowing them to tell their story without gimmicks? This is one step short of ‘Survivor-Holocaust’ or ‘Big Brother Auschwitz.’ It leaves a bad taste.”

Indeed it does. What do you think?

Culling as Fast as She Can…

USHMM curator Kyra Schuster, right.
Photo credit: Bruce R. Bennett/The Palm Beach Post

Every few  weeks Kyra Schuster flies down to Palm Beach County in Florida to meet with Holocaust survivors. Yeah, so what, you may ask. Well, here’s what:

Ms. Schuster is a curator for the U.S. Holocaust Memorial Museum (USHMM) and makes these trips as often as she can to retrieve the precious artifacts and remnants that many survivors have carried with them all these years: diaries and suitcases and photos and postcards. All tangible reminders and in some instances testimony to their experiences.

Reminds me a bit of “The Things They Carried,” Tim O’Brien‘s book about what soldiers carried with them in Vietnam. [I'm aware it's a bit anachronistic to refer to an earlier war using a literary catchphrase from a later war, but please give me some slack, or at least some poetic license.]

“Kyra Schuster is a treasure hunter who measures her victories in tattered scraps of paper and suitcases that outlived their owners,” is how Lona O’Connor described her in last Sunday’s Palm Beach Post.

Ms. Schuster says she loves her job and from my vantage point, what’s not to love? Sure, the subject of the Holocaust is inherently a downer but I kind of have a bit of job envy here. What an endlessly fascinating project to be working on. Well, not endlessly, obviously, and that’s kind of the point.

Per stats mentioned in the article, the median age of survivors in Palm Beach County (which has the second largest community of survivors in the country, estimated to be between 12,000 and 18,000) is 85. That means Ms. Schuster has to cull these artifacts as fast as she can, before they are lost to history by death and default.

A lot of people work best under pressure; deadlines impose a ticking clock and death is the ultimate deadline. Schuster seems to handle it with grace.

Her retrieval and acquisition of these items is not really about the objects themselves, but about the people who donate them. She hears their stories and weaves them into the exhibition for historical context.

The USHMM receives more than 800 calls a year from people with artifacts from Jews living during the Nazi era and the post-war displaced persons camps. My mother-in-law Hana Berger Moran, who was born in German concentration camp, was one of those callers. A baby born in a camp seems unfathomable, but it happened and Hana is living proof. A few years ago she donated her newborn clothes to the museum. They were made by women in her mother’s camp who managed to scrounge up scraps of cloth to make her a shirt and hat. They even found a bit of colored thread to stitch both a pink and a blue flower,  not sure if the baby would be a girl or a boy.

A Non-Apology Apology

The Nuremberg Trials

Puhleeze.

Doctors in Germany are sorry. So very, very sorry. Except their apology (if you can call it that) is six decades too late.

According to an MSNBC editorial by Art Caplan, PhD, “The German Medical Association has issued a remarkably blunt and straightforward apology, more than six decades after the end of World War II, for the role it played during the Holocaust in the mass murder, sterilization and barbaric medical experiments done on Jews and many other groups.”

“The declaration says that contrary to popular belief doctors were not forced by political authorities to kill and experiment on prisoners but rather engaged in the Holocaust as leaders and enthusiastic Nazi supporters,” writes Caplan, adding that this statement was “unanimously adopted by the delegates of the Physician’s Congress.”

Pardon my acronym but WTF? And seriously, did it take them 60+ years to craft that statement?

And now I have a cyber-commenter-crush on someone named Eric C who responded to the news with this:

I feel no satisfaction from this apology of the German Physicians Congress. An apology issued for acts committed by others is just so much moral preening. This apology is akin to the congressional apologies for slavery and abuse of native Americans issued in 2009. They are jejune blatherings, a corruption of language. It would have been better for these German doctors to simply condemn their predecessors, rather than to strut through this mummery of apologizing for them.”

Amen Eric C., you took the words I didn’t have right out of my mouth. Thanks for so eloquently stating exactly how I feel.

I Was Born in a Concentration Camp Too!

(Mad Men Spoiler Alert!)

Mad Men, that perennially hot TV show that kept fans waiting 16 months between fixes, now has a Jewish copywriter. His name is Michael Ginsberg. Being a Jewish copywriter myself (or, more accurately, a copywriter who happens to be Jewish), I was initially intrigued by this new character. But last night’s episode threw me for a loop. Michael told fellow copywriter Peggy Olson that he was born in a concentration camp. (For those less familiar with Mad Men, it’s a period-based show set in late 1960s New York City). Peggy, obviously disturbed by this pronouncement, later told her boyfriend that it just couldn’t possibly be true, could it? Michael feels it can’t be true either, and feels his stepfather must have lied to him. His stepfather also “conveniently” told him that his real mother died in the camp.

I’m interested to see where this particular storyline goes since it’s eerily like the basis of my book about my mother-in-law who really was born in a concentration camp. In 2001 when my then-boyfriend — now husband — first told me his mom was born in a camp, I was shocked. I didn’t believe it was even possible, as I assumed all pregnant women were killed and if one was lucky enough to slip by Mengele, I figured that child would instantly be killed at birth. Apparently, that isn’t necessarily so.

My very much alive-and-kicking mother-in-law, Hana Berger Moran (age 67), was indeed born in a concentration camp. In fact, there are at least three babies who were born in concentration camps that I’m aware of, which leads me to believe there must be others. Each of these babies and their mothers defied the odds to survive, which I believe was due much in part to circumstance and luck. But of course, that’s only part of the story.

Can’t wait to see where the show’s creator, Matthew Weiner, goes with this subplot. He best not disappoint.

Yom Hashoah, From Far Away…

My husband, Thomas Dov Berger, was born in Israel and lived there until he was nine years old. I spoke with him earlier today (he’s away on a business trip) and asked him to put down his thoughts about Yom Hashoah. It’s a much different memorial in Israel than it is here in the States. Here, let him tell you…

Israeli traffic stops for 2 minutes for Yom Hashoah

At 10am today, did you hear sirens?

At 10am did cars stop on the freeways? Did trains stop in their tracks? Did planes stop on taxiways?

At 10am, did everyone stop what they were doing, stand at attention, and for two minutes, while the sirens wailed, remember the six million dead?

Imagine, if you can, growing up in a country, as I did, where you set aside a day to remember your ancestors who were murdered in a systematic and industrial manner. There are no barbeques on this day, there are no white sales on this day. This is a day for reflection and quiet. This day forces you to come to terms with everything about your beliefs and your heritage and that you, as a people, were almost wiped completely from the face of the earth.

This day, Yom HaShoah, marks the beginning of a week of remembrance that culminates with Yom Hazikaron, Israeli memorial day, our day for remembering our war dead, and ends with Yom Ha’atzmaut, Independence Day.

Yom HaShoah is the day to remember the grandfather I never knew, my mom’s father, the father she never knew [killed by Nazis a couple months before she was born in a concentration camp]. I also remember the countless relatives whose names I will never know, who are simply gone, without a trace, without a marker.

Most of all, however, this day reminds me that I should never forget, and I should never forgive. And I hold that feeling to this day, in this country, where I am sitting in my hotel room, 2500 miles away from my family, preparing for my work day, where as I proceed through my business meetings and presentations to clients, everyone around me will have no idea what this day means to me. I hold it inside. I keep it to myself. And I remember: לא נשכח ולא נסלח

Tom

Jewish Geography, the Concentration Camp Version

Jewish Geography (there's an App for that)

A few days ago I saw my neighbor and friend across the street talking to an older woman I didn’t recognize. She motioned for me to come over, which I did.

Turns out the older woman’s mother was a Holocaust survivor. My neighbor was excited to introduce us because of the book I’m writing about my mother-in-law who, as some readers of this blog know, was born in a concentration camp.

This older woman, whose name I never got, asked me which camp my mother-in-law was born in.

“Freiberg,” I said.

Her face clearly registered disappointment.

“Well, she was born in Freiberg but liberated in Mauthausen,” I countered.

“Oh, I thought it was Auschwitz,” she said with obvious discern. “That’s where my mother was. Most people didn’t survive Auschwitz, but my mother did.”

I sensed pride in her voice.

For some odd reason I wanted to impress her so I told her that my mother-in-law was sort of in Auschwitz because she was a two-month old fetus in her mother’s belly at the time. Surely that would give her pause, yes?

Nope. She shook her head. My straw-grasping failed to impress.

Then it hit me. I was playing Jewish Geography, but the concentration camp version. This was sick. Twisted. What was I doing?

Luckily the conversation ended almost as quickly as it began because the older woman’s car was parked in front of a fire hydrant; she had to skedaddle before the parking police swooped in.

Now that I’m out there (meaning here, on this blog) and working hard to get this book written and out to the public (meaning in book stores and libraries), is this Concentration Camp version of Jewish Geography going to be a regular occurrence? It’s not that I don’t want to connect with other people — I do! — but not in a hierarchical competitive way. It felt so awkward and I was rather uncomfortable. This incident reminds me of my post about survivors trying to one-up each other in their suffering.

What do you think?

Hard-Rocking the Holocaust

David Draiman, lead singer of Disturbed

Rich Cohen is going to have to add this guy to his list of Tough Jews.

No, he’s not a 1930s Jewish gangster, he’s 21st century rock star David Draiman, the gravel-voiced lead singer of popular heavy-metal band Disturbed. And he comes by his musical talent honestly:

The person that they say I get my voice from was my great-grandfather who was the head cantor of the Gerrer Hasidische bes medresh in Jerusalem. I basically spent 17 years studying the Talmud and the Tanach, and Judaism in general, and was probably about, I would say, two or three years away from smicha, from being ordained.”

A piece in The Jerusalem Post last year describes him as, “one of the few high-profile hard rock singers who are defiantly Jewish – imagine a young Ozzy Osbourne as the spokesman for the Jewish Defense League.”

When asked how he deals with the inevitable skinhead fans of Disturbed, he replies,

I’m incredibly defiant against neo-Nazis and skinheads…I’ve always been very proud of my heritage and where I come from, and I’ve defended it to the extent of being bloodied on many occasions. In fact, most of the fights I’ve [had] in my life – and there have been many – have been because I was defending my family or my faith. And I don’t apologize for it.”

All I can say is this guy is one bad-ass Jew. Glad he’s on my side.

Let me leave you with this little gem from his podcast with the U.S. Holocaust Memorial Museum:

I think I do enough good as an individual in terms of setting tens of thousands of people, hundreds of thousands of people free and making them feel stronger than they did when they came in the building, on a relatively nightly basis. So, there you go. That’s God’s work.”